Friday, June 29, 2018

The Press Kit By Scott Shaw

This is a Press Kit information page that I passed out to a class I was teaching at U.C.L.A. a number of years ago. Though it is a bit dated in its approach, as the world has gone largely digital since that time, you may find it helpful to guide you in obtaining publicity for your film.

The Press Kit
U.C.L.A. - X 479.94 - The Art of Digital Filmmaking - Scott Shaw

      It is essential that you devise an exacting Game Plan to market yourself as a filmmaker and to alert the world that you have a film or video project. To reach the media, you will need a Press Kit. A Press Kit makes it easier for an investor, distributor, newspaper, or television show to know about you and what your project is about. Additionally, it is an essential tool in providing a writer with a start-point in writing an article about you or your film or video project.

      A Press Kit provides information about you and your project in a language media people understand. Even though you may find the format and tone of the material in the Press Kit to be overly commercial and self-congratulatory, it focuses the emphasis on your project and presents the facts so anyone who reads it can concentrate on getting the additional details they desire during a phone or in person conversation.

Devising a Press Kit
1) Cover Letter. This should be brief, usually no more than one page. The first paragraph is enticing and draws the reader in. The next paragraph tells the essential details about you, your film, or video project.  The final paragraph of a Cover Letter is a good point to include possible story ideas or hype-lines for your project.

2) Press Release. Immediately cover the five W's of news writing in your Press Release,  “Who, What, When, Where and Why.” Do this by beginning with an enticing one or two-sentence introduction followed by brief, to-the-point, background about you and your project. Be sure to include your contact information, including a Website where they can view your project or find out further details about you and your film or video.

3) Bio Sheet. This is your resume in prose format. Sometimes an editor or a T.V. News Magazine producer will decide to do a story about your film or video based on your personal history.  So, it helps if you play up something about your life that is unusual or follows a trend.

4) Press Clipping and Magazine Articles. Journalists like to follow someone else’s lead.  They may not cover a story unless somebody else has done it first.  If you have copies of previous press clipping or interviews include them with your Press Kit.

      Keep in mind, contrary to popular belief, it is not difficult to get press.  Newspapers and magazine are always looking for new subjects to cover -- all you have to do is ask and keep asking until somebody decides to do an article on you.

5) Glossy Black-and-White Photo. Though a newspaper may send a photographer to take a picture to accompany a story about you or your film or video, some of the smaller papers don't have the budget or the time and they may print whatever you send them.  A 5 x 7 or 8 x 10 of you involved in your production or a very depictive Production Still is a good form of initial presentation.

      Put your Press Kit in a folder. So, your presentation will not be easily lost.

      Remember, Press is free, you are doing the newspaper, magazine, or T.V. show a favor by giving them something to report on.
 
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Monday, June 25, 2018

Scott Shaw Zen Filmmaking: The Interview

 Read the Interview at:  Zen Filmmaking: The Interview

Scott Shaw Zen Filmmaking

Saturday, June 9, 2018

Zen Filmmaking: Beyond The Roller Blade Seven By Scott Shaw


 By Scott Shaw

As I frequently discuss, hardly a week goes by that someone does not contact me about The Roller Blade Seven and wants to discuss some aspect of that Zen Film. Which is great! That’s fine! I get it… It’s a bizarre film. And, that is exactly what we had in mind when we created it. Though, in all honesty, that was never the vision I had for my film career when I first entered the industry. But, I’ve said all this before…
The thing about Roller Blade Seven and all the turmoil that surrounded its creation is, so many people see that film and believe that is where Zen Filmmaking ended. They think that somehow RB7 is the end-all culmination of Zen Filmmaking. It is not. In fact, due to all of the craziness during the Production, the Post Production, and the initial Distribution of RB7, one can conclude that RB7 is anything but true Zen Filmmaking. Yes, it is crazy. Yes, it is weird. Yes, we had a lot of fun making it. Yes, it has etched a place for itself in Cult Film History but did Zen Filmmaking begin and end with that film? No.
As each production possesses its own set of criteria and definitions, RB7 had its own, as well. And, that is what defines that film. But again, was what took place and what was presented on the screen in that film the end-all of Zen Filmmaking? No, not at all. That film just was what that film was. Nothing more, nothing less.
As I always tell everybody, Zen Filmmaking is never about the story. …The stories have all been told… Zen Filmmaking is about a visual cinematic experience. It is about invoking emotions and thoughts in the mind of the viewer. As each person brings their own set of standards and ideologies to every/any film that they watch, anyone who ever sees a Zen Film will come away with something different. …As they should…
FYI: I haven't made a narrative-driven Zen Film since 2009 so what most people who discuss Zen Filmmaking are talking about is actually ancient history.
The fact is, Zen Filmmaking is more about philosophy that about actual cinema. And, this is where so many critics and movie watchers get it wrong. It is about embracing a philosophic vision on the screen. As such, even if you project one never-ending single image on the screen, that can be Zen Filmmaking, if Zen Filmmaking is what you hope to invoke with that single image.
I know there are a couple of film schools that teach courses on Zen Filmmaking. Of course, none of them, (at least not yet), have invited me to come and give a seminar or be the actual instructor… But, that’s okay. I get it. They want to control the message—even though I am the one invented the message. Yeah sure, I own the Trademark. Yeah sure, I instigated and formalized the understanding. But, like I always say, “Make it your own…” You don’t have to do what I do to make a Zen Film. You simply have to do what you do.
Zen Filmmaking is about the freedom of naturalness. It is not about following any film formula that I may have used in the past. From this very definition it gives rise to the understanding that there are no definitions. …Not even the definition of no definition. …As isn’t that the ultimate understanding of Zen?
So, for all you people out there writing and talking about RB7, remember that was the beginning of Zen Filmmaking, it was not the end. It keeps changing. It keeps evolving. So please, don’t hold myself, my filmmaking, or other Zen Filmmakers locked into that place in time. That was there. That was then. Now, I am here. Where are you?

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